Kateřina Rybačiauskaitė

On Writing Fluid Histories of Modern Art with Jacques Rancière

Číslo: 2/2020
Periodikum: Acta Universitatis Carolinae Philosophica et Historica
DOI: 10.14712/24647055.2021.11

Klíčová slova: Clement Greenberg; binary oppositions; fluid histories; modern art; art regimes; Jacques Rancière; post-socialist

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Anotace: In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.